{"id":17200,"date":"2022-11-09T15:47:00","date_gmt":"2022-11-09T08:47:00","guid":{"rendered":"https:\/\/www.prnasia.com\/asia-story\/archive\/3916984_VI16984_11"},"modified":"2022-11-09T15:47:00","modified_gmt":"2022-11-09T08:47:00","slug":"trien-lam-natasha-ngay-16-10-2022-voi-cac-san-choi-nghe-si-va-chuong-trinh-cong-dong-moi","status":"publish","type":"post","link":"https:\/\/saigonbiz.com\/vn\/trien-lam-natasha-ngay-16-10-2022-voi-cac-san-choi-nghe-si-va-chuong-trinh-cong-dong-moi\/","title":{"rendered":"TRI\u1ec2N L\u00c3M NATASHA NG\u00c0Y 16\/10\/2022 V\u1edaI C\u00c1C S\u00c2N CH\u01a0I, NGH\u1ec6 S\u0128 V\u00c0 CH\u01af\u01a0NG TR\u00ccNH C\u1ed8NG \u0110\u1ed2NG M\u1edaI"},"content":{"rendered":"\n\n\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

SINGAPORE<\/span>, 9\/11\/2022<\/span> \/PRNewswire\/ — Tri\u1ec3n l\u00e3m ngh\u1ec7 thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i Singapore Biennale 2022 (SB2022) \u0111\u00e3 tr\u1edf l\u1ea1i l\u1ea7n th\u1ee9 7, v\u00e0 ch\u00ednh th\u1ee9c ra m\u1eaft c\u00f4ng ch\u00fang v\u1edbi t\u00ean g\u1ecdi Natasha. Tri\u1ec3n l\u00e3m do B\u1ea3o t\u00e0ng Ngh\u1ec7 thu\u1eadt Singapore<\/span> (SAM) t\u1ed5 ch\u1ee9c v\u00e0 nh\u1eadn \u0111\u01b0\u1ee3c s\u1ef1 \u1ee7y quy\u1ec1n t\u1eeb H\u1ed9i \u0111\u1ed3ng Ngh\u1ec7 thu\u1eadt Qu\u1ed1c gia Singapore<\/span> (NAC). Kh\u00e1n gi\u1ea3 c\u00f3 th\u1ec3 tr\u1ea3i nghi\u1ec7m h\u00e0nh tr\u00ecnh ngh\u1ec7 thu\u1eadt t\u1ea1i Natasha c\u00f9ng v\u1edbi c\u00e1c ngh\u1ec7 s\u0129 v\u00e0 c\u1ed9ng t\u00e1c vi\u00ean, \u0111\u1ed3ng th\u1eddi t\u00e1i kh\u00e1m ph\u00e1 d\u01b0\u1edbi nh\u1eefng g\u00f3c nh\u00ecn kh\u00e1c nhau v\u1ec1 quan \u0111i\u1ec3m v\u00e0 s\u1ef1 li\u00ean k\u1ebft v\u1edbi th\u1ebf gi\u1edbi.<\/p>\n

\n

\"Exhibition<\/a>
Exhibition view of Level 5 Gallery, Tanjong Pagar Distripark. Image courtesy of Singapore Art Museum.<\/span><\/p>\n<\/p><\/div>\n

\n

\"Installation<\/a>
Installation view of Haegue Yang’s The Hybrid Intermediates \u2013 Flourishing Electrophorus Duo (The Sonic Intermediate \u2013 Hairy Carbonous Dweller and The Randing Intermediate \u2013 Furless Uncolored Dweller) (2022) at Singapore Art Museum at Tanjong Pagar Distripark. Image courtesy of Singapore Art Museum.<\/span><\/p>\n<\/p><\/div>\n

\n

\"Installation<\/a>
Installation view of Cevdet Erek’s Bergama Stereo (2022) in Tanjong Pagar Distripark. Image courtesy of Singapore Art Museum.<\/span><\/p>\n<\/p><\/div>\n

Tr\u1ea3i d\u00e0i tr\u00ean nhi\u1ec1u kh\u00f4ng gian t\u1ea1i t\u1ea7ng 1, 3 v\u00e0 5 c\u1ee7a Tanjong Pagar Distripark, khu v\u1ef1c ch\u00ednh c\u1ee7a SAM l\u00e0 n\u01a1i tr\u01b0ng b\u00e0y nhi\u1ec1u t\u00e1c ph\u1ea9m tinh hoa th\u00fa v\u1ecb v\u00e0 \u0111a d\u1ea1ng c\u1ee7a c\u00e1c ngh\u1ec7 s\u0129 \u0111\u1ebfn t\u1eeb Singapore<\/span>, \u0110\u00f4ng Nam \u00c1, Ch\u00e2u \u00c1 – Th\u00e1i B\u00ecnh D\u01b0\u01a1ng, Trung \u0110\u00f4ng, Ch\u00e2u \u00c2u v\u00e0 Ch\u00e2u M\u1ef9. T\u1ea1i \u0111\u00e2y, kh\u00e1n gi\u1ea3 c\u00f3 c\u01a1 h\u1ed9i chi\u00eam ng\u01b0\u1ee1ng t\u00e1c ph\u1ea9m \u0111i\u00eau kh\u1eafc \u00e2m thanh tuy\u1ec7t v\u1eddi c\u1ee7a ngh\u1ec7 s\u0129 ng\u01b0\u1eddi H\u00e0n Qu\u1ed1c Haegue Yang – ng\u01b0\u1eddi v\u1eeba nh\u1eadn \u0111\u01b0\u1ee3c gi\u1ea3i th\u01b0\u1edfng Benesse l\u1ea7n th\u1ee9 13 v\u00e0o ng\u00e0y 15\/10\/ 2022.<\/p>\n

\n

\"Trevor<\/a>
Trevor Yeung’s The Pavilion of Regret (2022) at Yan Kit Playfield. Image courtesy of Singapore Art Museum.<\/span><\/p>\n<\/p><\/div>\n

\n

\"Ranu<\/a>
Ranu Mukherjee’s Ensemble for Non-Linear Time (2022) at the Singapore Flyer (part of AWKNDAFFR’s Islandwide Coverage). Image courtesy of Singapore Art Museum.<\/span><\/p>\n<\/p><\/div>\n

Tri\u1ec3n l\u00e3m SB2022 di\u1ec5n ra t\u1ea1i nhi\u1ec1u \u0111\u1ecba \u0111i\u1ec3m xung quanh Tanjong Pagar Distripark v\u00e0 c\u00e1c ph\u00f2ng tr\u01b0ng b\u00e0y truy\u1ec1n th\u1ed1ng, nh\u1eb1m cung c\u1ea5p m\u1ed9t kh\u00f4ng gian kh\u00e1m ph\u00e1 r\u1ed9ng l\u1edbn \u0111\u1ec3 kh\u00e1n gi\u1ea3 c\u00f3 th\u1ec3 tho\u1ea3i m\u00e1i ng\u1eafm nh\u00ecn, ngh\u1ec9 ng\u01a1i v\u00e0 tr\u00f2 chuy\u1ec7n. C\u00e1c kh\u00f4ng gian m\u1edf c\u1eeda h\u00e0ng ng\u00e0y nh\u01b0 th\u01b0 vi\u1ec7n c\u00f4ng c\u1ed9ng, Yan Kit Playfield, International Plaza v\u00e0 Singapore Flyer l\u00e0 m\u1ed9t s\u1ed1 \u0111i\u1ec3m \u0111\u1ebfn m\u00e0 du kh\u00e1ch t\u1ea1i Biennale c\u00f3 th\u1ec3 gh\u00e9 th\u0103m \u0111\u1ec3 tr\u1ea3i nghi\u1ec7m ngh\u1ec7 thu\u1eadt.<\/p>\n

Ngo\u00e0i ra, khu v\u1ef1c m\u1edf r\u1ed9ng c\u1ee7a Temasek Shophouse<\/span> t\u1ea1i s\u1ed1 22 \u0111\u01b0\u1eddng Orchard s\u1ebd m\u1edf c\u1eeda t\u1eeb th\u00e1ng 12\/2022. T\u1ea1i \u0111\u00e2y, kh\u00e1n gi\u1ea3 c\u00f3 th\u1ec3 tr\u1ea3i nghi\u1ec7m tri\u1ec3n l\u00e3m Natasha v\u1edbi nhi\u1ec1u ho\u1ea1t \u0111\u1ed9ng ngh\u1ec7 thu\u1eadt, v\u1edbi t\u00e2m \u0111i\u1ec3m c\u1ee7a d\u1ef1 \u00e1n l\u00e0 ngh\u1ec7 s\u0129 t\u1eeb c\u1ed9ng \u0111\u1ed3ng khu v\u1ef1c, c\u00f9ng v\u1edbi c\u00e1c t\u00e1c ph\u1ea9m thu h\u00fat ng\u01b0\u1eddi xem.<\/p>\n

\n

\"Installation<\/a>
Installation view of Zarina Muhammad’s Moving Earth, Crossing Water, Eating Soil (2022) at St John\u2019s Island. Image courtesy of Singapore Art Museum.<\/span><\/p>\n<\/p><\/div>\n

Tri\u1ec3n l\u00e3m Natasha, d\u01b0\u1edbi s\u1ef1 h\u1ed7 tr\u1ee3 c\u1ee7a T\u1ed5ng c\u00f4ng ty Ph\u00e1t tri\u1ec3n Sentosa v\u00e0 C\u01a1 quan Qu\u1ea3n l\u00fd \u0111\u1ea5t \u0111ai Singapore<\/span>, \u0111\u01b0a kh\u00e1n gi\u1ea3 t\u1edbi kh\u00f4ng gian ngh\u1ec7 thu\u1eadt d\u1ecdc theo t\u1eeb \u0111\u01b0\u1eddng b\u1edd bi\u1ec3n Singapore<\/span> \u0111\u1ebfn Qu\u1ea7n \u0111\u1ea3o ph\u00eda Nam. Nh\u1eefng h\u00f2n \u0111\u1ea3o n\u00e0y mang \u0111\u1ebfn cho kh\u00e1n gi\u1ea3 kh\u00f4ng gian suy ng\u1eabm, t\u01b0\u1edfng t\u01b0\u1ee3ng v\u00e0 ph\u00f3ng chi\u1ebfu, \u0111\u1ed3ng th\u1eddi \u0111\u00f3ng vai tr\u00f2 nh\u01b0 m\u1ed9t \u0111\u1ecba \u0111i\u1ec3m ti\u1ec1m n\u0103ng \u0111\u1ec3 c\u00f4ng ch\u00fang giao l\u01b0u tr\u1ef1c ti\u1ebfp v\u1edbi c\u00e1c ngh\u1ec7 s\u0129 v\u00e0 t\u00e1c ph\u1ea9m ngh\u1ec7 thu\u1eadt. Kh\u00e1n gi\u1ea3 c\u00f3 th\u1ec3 chi\u00eam ng\u01b0\u1ee1ng s\u00e1u d\u1ef1 \u00e1n ngh\u1ec7 thu\u1eadt g\u1eafn li\u1ec1n v\u1edbi m\u1ed1i li\u00ean h\u1ec7 gi\u1eefa con ng\u01b0\u1eddi v\u1edbi thi\u00ean nhi\u00ean, v\u1edbi nh\u1eefng b\u00ed \u1ea9n v\u00e0 th\u1ef1c ti\u1ec5n x\u00e3 h\u1ed9i.<\/p>\n

S\u1ef1 ki\u1ec7n ch\u00ednh c\u1ee7a SB2022 s\u1ebd di\u1ec5n ra t\u1eeb 16\/10\/2022<\/span> \u0111\u1ebfn 19\/3\/2023. B\u1ea1n c\u00f3 th\u1ec3 t\u00ecm hi\u1ec3u th\u00eam th\u00f4ng tin \u0111\u1eb7t v\u00e9 tr\u00ean trang web c\u1ee7a SB2022 (https:\/\/www.singaporebiennale.org\/<\/a><\/u>). Tham gia cu\u1ed9c tr\u00f2 chuy\u1ec7n tr\u00ean Facebook (@SingaporeBiennale<\/a><\/u>) v\u00e0 Instagram (@sgbiennale<\/a><\/u>). T\u1ea3i xu\u1ed1ng n\u1ed9i dung t\u1ea1i https:\/\/bit.ly\/SB2022mediakit<\/a><\/u> .<\/p>\n

Gi\u1edbi thi\u1ec7u v\u1ec1 Biennale Singapore<\/b><\/p>\n

\u0110\u01b0\u1ee3c t\u1ed5 ch\u1ee9c l\u1ea7n \u0111\u1ea7u ti\u00ean v\u00e0o n\u0103m 2006, Singapore Biennale \u0111\u00f3ng vai tr\u00f2 nh\u01b0 m\u1ed9t \u0111i\u1ec3m nh\u1ea5n ngh\u1ec7 thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i c\u1ee7a mang t\u1ea7m c\u1ee1 qu\u1ed1c t\u1ebf c\u1ee7a \u0111\u1ea5t n\u01b0\u1edbc n\u00e0y. Tri\u1ec3n l\u00e3m gi\u1edbi thi\u1ec7u v\u00e0 ph\u1ea3n \u00e1nh s\u1ee9c s\u1ed1ng c\u1ee7a c\u00e1c ho\u1ea1t \u0111\u1ed9ng ngh\u1ec7 thu\u1eadt kh\u00f4ng ch\u1ec9 \u1edf Singapore<\/span> v\u00e0 m\u00e0 c\u00f2n trong b\u1ed1i c\u1ea3nh to\u00e0n c\u1ea7u, \u0111\u1ed3ng th\u1eddi th\u00fac \u0111\u1ea9y quan h\u1ec7 h\u1ee3p t\u00e1c hi\u1ec7u qu\u1ea3 v\u00e0 s\u1ef1 tham gia t\u00edch c\u1ef1c c\u1ee7a nhi\u1ec1u ngh\u1ec7 s\u0129, t\u1ed5 ch\u1ee9c ngh\u1ec7 thu\u1eadt v\u00e0 c\u1ed9ng \u0111\u1ed3ng ngh\u1ec7 thu\u1eadt qu\u1ed1c t\u1ebf.<\/p>\n

Singapore Biennale mang ngh\u1ec7 thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i \u0111\u1ebfn g\u1ea7n h\u01a1n v\u1edbi c\u00f4ng ch\u00fang th\u00f4ng qua      t\u1ed5 ch\u1ee9c c\u00e1c s\u1ef1 ki\u1ec7n v\u00e0 c\u00e1c ho\u1ea1t \u0111\u1ed9ng ph\u1ed1i h\u1ee3p. S\u1ef1 ki\u1ec7n n\u00e0y c\u00f2n mang l\u1ea1i nh\u1eefng th\u00e0nh t\u1ef1u trong c\u00e1c l\u0129nh v\u1ef1c ngh\u1ec7 thu\u1eadt v\u00e0 v\u0103n h\u00f3a kh\u00e1c, c\u0169ng nh\u01b0 n\u00e2ng t\u1ea7m v\u1ecb th\u1ebf qu\u1ed1c t\u1ebf c\u1ee7a Singapore<\/span> v\u1edbi t\u01b0 c\u00e1ch l\u00e0 m\u1ed9t th\u00e0nh ph\u1ed1 s\u00f4i \u0111\u1ed9ng \u0111\u00e1ng \u0111\u1ec3 s\u1ed1ng, l\u00e0m vi\u1ec7c v\u00e0 vui ch\u01a1i.<\/p>\n","protected":false},"excerpt":{"rendered":"

SINGAPORE, 9\/11\/2022 \/PRNewswire\/ — Tri\u1ec3n l\u00e3m ngh\u1ec7 thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i Singapore Biennale 2022 (SB2022) \u0111\u00e3 tr\u1edf l\u1ea1i l\u1ea7n th\u1ee9 7, v\u00e0 ch\u00ednh th\u1ee9c ra m\u1eaft c\u00f4ng ch\u00fang v\u1edbi t\u00ean g\u1ecdi Natasha. Tri\u1ec3n l\u00e3m do B\u1ea3o t\u00e0ng Ngh\u1ec7 thu\u1eadt Singapore (SAM) t\u1ed5 ch\u1ee9c v\u00e0 nh\u1eadn \u0111\u01b0\u1ee3c s\u1ef1 \u1ee7y quy\u1ec1n t\u1eeb H\u1ed9i \u0111\u1ed3ng Ngh\u1ec7 thu\u1eadt Qu\u1ed1c gia […]\n","protected":false},"author":4,"featured_media":50415,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[2293],"tags":[],"class_list":["post-17200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pr-newswire"],"yoast_head":"\nTRI\u1ec2N L\u00c3M NATASHA NG\u00c0Y 16\/10\/2022 V\u1edaI C\u00c1C S\u00c2N CH\u01a0I, NGH\u1ec6 S\u0128 V\u00c0 CH\u01af\u01a0NG TR\u00ccNH C\u1ed8NG \u0110\u1ed2NG M\u1edaI<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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